The VRS8 Virtual Analog Interface changes the playing field, by offering more pro features and technical advancements than any other interface in its class, and at a far lower cost. It features eight VMS Ultra Linear microphone preamps, mastering grade A/D and D/A converters, high-end circuit design featuring boutique op-amps, WIMA capacitors and discrete headphone amplifiers, and the lowest latency of any native solution (down to .7 ms at 96k!).
The ML-1 microphone is arguably the most important part of the Virtual Microphone System, because everything starts here. With a shock-mounted Mylar capsule sputtered in gold and custom-made components, the ML-1 is NOT just any ordinary microphone. It was designed in tandem with the VMS-One preamp to provide an exceedingly flat output for the VMS microphone and preamp software modules to act upon.
The ML-2 microphone is a worthy addition to its big brother the ML-1 (the mic featured in the Virtual Microphone System). It features a similar linear and flat frequency response to its larger sibling - only in a small diaphragm size - which allows the mic to be placed in locations difficult or impossible for a larger mic. With the addition of a side-mounted switch that pads the input circuit and repolarizes the capsule to increase headroom, the ML-2 allows you to utilize both dynamic and condenser emulations on instruments like drums without ever having to change a physical microphone position.